For his third show with White Cube, Damián Ortega will present two major installations. ‘Congo River’ consists of cast rocks that have been delicately drawn upon, using salt to create topographical markings on their surface. ‘Hollow/Stuffed: market law’ is a sculpture based on a submarine model that has been made from industrial food sacks stuffed with salt and suspended from the ceiling. Damián Ortega’s work explores specific economic, aesthetic and cultural situations and in particular how regional culture affects commodity consumption.
Preview: Tuesday 17 July 2012, 6-8pm Public Exhibition: 18 July – 8 September 2012 Venue: White Cube Mason’s Yard. 25 – 26 Mason’s Yard, London SW1Y 6BU Opening times: Tuesday – Saturday 10am – 6pm
He began his career as a political cartoonist and his art has the intellectual rigour and sense of playfulness often associated with his previous occupation. He creates sculptures, installations, videos and actions inspired by a wide range of mundane objects, from golf balls and pick-axes to bricks, rubbish bins and even tortillas, all subjected to what has been described as Ortega’s characteristically “mischievous process of transformation and dysfunction”. In Cosmic Thing (2002), one of his most celebrated works, Ortega disassembled a Volkswagen Beetle car and re-composed it piece by piece, suspended from wire in mid-air, in the manner of a mechanic’s instruction manual. The result was both a diagram and a fragmented object that offered a new way of seeing the “people’s car” first developed in Nazi Germany but now produced en masse in his native Mexico. In Spirit (2005), Ortega constructed a series of architectural spaces using recycled materials which, when viewed from above, spelt out the letters of the work’s title, playing with the idea of optical and physical illusion.
Damián Ortega was born in 1967 in Mexico City and currently lives and works in Berlin, Germany. He has exhibited internationally including solo exhibitions at the Barbican Curve Gallery, London (2010), the Institute of Contemporary Art, Boston (2009), the Centre Pompidou, Paris (2008), the Ikon Gallery, Birmingham (2007) the Gallery at REDCAT and the Museum of Contemporary Art, Los Angeles (2005), Tate Modern, London (2005), Museu da Arte Pampulha, Belo Horizonte, Brazil (2005), Kunsthalle Basel (2004) and Institute of Contemporary Art, Philadelphia (2002). Group exhibitions include the São Paulo Biennial (2006), Made in Mexico, Institute of Contemporary Art, Boston (2003) and the 50th Venice Biennale (2003).